SAD PRICK: Addled by Academia

mclellandCruising for a brainy buddy to bring to bed? Longing to satiate sexual curiosity? Look no further. Mark McLelland’s Male Homosexuality in Modern Japan: Cultural Myth and Social Realities is here to indulge those nursing an neglected academic addiction .

While Boy’s Love may seem to be all fun, games, smut, and sex, the genre and those consuming and producing it have increasingly become a highly contested object of study across multiple disciplines. Dwelling on the nature and representations of Japanese male homosexuality, Mark McLelland writes extensively on Boy’s Love manga, situating it within Japan’s cultural perceptions of gender and sexuality. Easily accessible to those unfamiliar with the social sciences, McLelland provides a superb introduction to Japanese social conventions and a intriguing view into the intimate experience of Japanese men desiring other men. For the fearless fujoshi, chapter entitled “Love Between ‘Beautiful Boys’ in Women’s Comics” and “Gay Men as Women’s Best Friends and Ideal Marriage Partners” deserve attention. Though Boy’s Love manga offers us seductive scenarios, we need to remember we objectify individuals when reading these types of manga. Though this objectification is not inherently negative, we need to be conscientious of those being represented in Boy’s Love manga and how such representation fail to capture reality.

The discrepancy between fantasy and reality may spoil how we experience Boy’s Love. However, our objectification threatens to bleed into reality, possessing the potential to negatively impact an already misunderstood and at times marginalized population. Understanding the social implications of what we consume will enlighten us why we consume it. This why, while highly personal and potentially sensitive, helps defines our wider surroundings, the larger social framework where our existence thrives, withers, or merely carries on.  Though these ideas are rather heavy for what is to become a comforting reading list for lonely fujoshi and fudanshi on Valentine’s Day, this time of contemplation presents an ideal period for self exploration. McLelland’s work questions and prods us. Nonetheless, these prods are gentle, and for the single fujoshi and fudanshi, amount to soft caresses to climatic enlightenment.

SAD PRICK: Introduction

According to my mom and grocery stores across the United States, it is never too early to prepare for Valentine’s Day, or for my case and perhaps millions of other lonely hearted fujoshi and fudanshi, Single’s Awareness Day. While Valentine’s Day in United States does not possess the same formal etiquette and expectation, it still contains a symbolic clout to emotionally wreck even the most stalwart among us. To steel the heart from breakage and to seal the eyes from leakage, an overabundance of quality (and maybe no so quality) yaoi consumption will do the trick. Thus, for the days leading up the big day, I’ll be compiling the Single’s Awareness Day Preparedness Reading Information and Counseling Kit (SAD PRICK) here on yowlingyaoi. These posts will contains some of the best medicine for a fujoshi or fudanshi’s aching soul can cover manga ranging from pornographic-esque escapades to high-minded, heady literature. Hopefully, SAD PRICK will protect those tendered of heart who find the Valentine’s season as cold and unproductive as a forgotten cup of coffee.

Don't let this be you on Single's Awareness Day (from Yamashita Tomoko's Illumination)

Don’t let this be you on Single’s Awareness Day (from Yamashita Tomoko’s Illumination)

inegative-kun_to_positive-kun_omake_acme_001

Let this be you after SAD PRICK! (from Negative-kun to Positive-Kun by HIdeyoshico)

Manga of the Month: Usotsuki wa Shinshi no Hajimari

i88265Swaying from quirky comedy to meditative social commentary, Matsuo Marta’s artistically rendered Usotsuki wa Shinshi no Hajimari dwells in the uncomfortable gray spaces of love through the unconventional affair between neurotic med student Jonathan and his unfaithful professor, Paul. Though Matsuo’s first couple of chapters center on gags and has a slightly uneven narrative, as the mangaka swiftly delves into intensive character development and uses clever visual motifs and symbolism, the second half of the first volume and second volume. (The two chapters focused on Paul’s poignant past flame-highly recommended). Furthermore, Matsuo’s portrayal of the United States (the manga’s setting) and the sexualities of Paul and Jonathan makes Usotsuki wa Shinshi no Hajimari a rarity among its bodice-ripper yaoi peers. Recently, more and more Boy’s Love manga have tackled the issue of sexuality instead of tucking it between the panels, creating men self-identifying as gay rather than boys falling in a love the transcends gender or sexualities. Usotsuki wa Shinshi no Hajimari  is of this trend with maturing Paul, a closeted gay man maintaining the “respectable” image of heterosexual patriarch, and youthful Jonathan, a student wavering in sexual identity. However, the manga’s setting in the United States in the Japanese context hints at social criticism concerning the social acceptability of homosexuality in both countries and marriage rights issues, as conveyed for example in the veiled and deceptively humorous chapter “The Missing Ring.” Despite the typical societal perspective that yaoi occupies a fantasy world unrelated to reality, Matsuo produced a politically charged, reality centered Boy’s Love manga breaking out of the usual panels confining the genre.

Night Thought: Happy New Yaoi

Despite the smut, the sex, and the overflowing background flowers, love is the heart of yaoi manga. Whether well executed or sloppily done, yaoi captures love on its good hair days and its worst, portraying this fickle human emotion in all of its glorified and terrible manifestations: the suffering stalker Imagase in The Carp on the Chopping Block Jumps Twice and The Cornered Mouse Dreams of Cheese, the youthful, innocent Kouji in Sannin Gurashi, the hapless but well-meaning men in Suzuki Tsuta’s multiple one-shots and two-shots.

In its own (and slightly racy) way, yaoi celebrates love and as a toast to both the many masks of love and the New Year, I present a small sampling of scenes from some of the best yaoi presently published.

Enjoy!

from J no Subete by Nakamura Asumiko

from J no Subete by Nakamura Asumiko

from Brothers by Yamamoto Kotetsuko

from Brothers by Yamamoto Kotetsuko

from Yes It's Me by Yamashita Tomoko

from Yes It’s Me by Yamashita Tomoko

from Akanai Tobira

from Akanai Tobira by Susuki Tsuta

from Kare no Barairo no Jinsei by Hideyoshico

from Kare no Barairo no Jinsei by Hideyoshico

from The Carp on the Chopping Block Jumps Twice by Mizuhiro Setona

from The Carp on the Chopping Block Jumps Twice by Mizuhiro Setona

also from The Carp on the Chopping Block Jumps Twice by Mizuhiro Setona

also from The Carp on the Chopping Block Jumps Twice by Mizuhiro Setona

from Lies are the Gentleman's Manners by Matsuo Marta

from Lies are the Gentleman’s Manners by Matsuo Marta

HAPPY NEW YEAR EVERYONE!!! THANKS FOR READING!!!

Something New: Puchitto Hajiketa

i145363Grope, kiss, slip-the typical yaoi often fail to accurately portray the true mechanics of anal sex. Sure, yaoi is pretty much a fantasy drive genre and with some manga occasionally mentioning potential risks of intimacy (condom, lube, enema referrences abound.) But, rarely does a manga breach the subject of “bottom trauma:” enter Kanda Neko’s new series Puchitto HajiketaPuchitto Hajiketa begins on the evening Ashitaka, uke turned seme out on the prowl, bumps into Noshiro, Ashitaka’s former lover and very cause of his bottom trauma. Despite Ashitaka’s “top only” proclamation, Noshiro pursues his past flame with steaming passion and contrite. Though only two chapters are currently scanlated (if published, this manga would be on the top of my purchasing list), Kanda Neko’s manga seems promising, with even a hint of, dare I type, “reversible coupling.”

Review: Kanemochi-kun to Binbou-kun

coverProbably one of the most artistically and narratively conscientious yaoi mangaka’s in Japan, Hideyoshico amazes once again with her short yet splendid Kanemochi-kun to Binbou-kun. Unrolling a  poignant story of both love unrequited and blooming spanning from World War II era Japan to the present, Hideyoshico tells the tale of Misaki, a relatively poor eldest son, Haruhito, his richer and lovelorn classmate, and Haruhito’s grandfather, the chairman of the school both boys attend. Hideyoshico formulates a curious, trans-generational love triangle between these three characters.  While the “lover” relationship between the grandfather and Misaki on the surface appears creepy (particularly when the grandfather has Misaki cosplay for him), Hideyoshico adds a platonic touch to their relationship, constantly reminding the reader, through heart rendering flashbacks to war torn Japan, that the grandfather truly loved Misaki’s grandfather. Only in his old age is the grandfather trying to ease his broken heart. One of the rare BL manga that historically roots the story in reality, the only criticism for Kanemochi-kun to Binbou-kun lies in the rather rushed ending and time jump, underlying a larger longing for Hideyoshico’s works to be longer. Portraying the many faces of love in largely silent panels, Hideyoshico represents a new wave in BL with narrative depth and characterization. For those who like reversible couples, the sexual ambiguity of these characters opens the possibility for the reversible couple classification.  Though her works are relatively young, I eagerly anticipate her arrival to the United States and her future compositions.

Manga of the Month: Brothers

130x160While not as complex nor compelling the other Manga of the Months of the past, Bothers nevertheless pitched an uncomfortable camp in a small corner of my heart. One of the first Yamamoto Kotetsuko’s works I read, Brother ever skillful artwork and well meaning, likable characters charmed me, even despite the problematic portrayal of women in the manga. Plot-wise, Yamamoto’s manga portrays the budding love between new step siblings, Chris, a clumsy, youthful high school teacher, and Wataru, an high school student of English heritage. Following the quick succession of their parent’s marriage and and death on their honeymoon, Chris and Wataru find themselves in a nearly classic set up in yaoi where circumstance forces characters to live with one another. More or less a simple love story with a mild hint of quasi-incest, Brothers is a guilty pleasure, even more guilty by the presence of Rei, Wataru’s cross-dressing, gay friend, and the women in the manga. Rei acts as a surrogate to women in the manga, visually and gender role wise filling a “woman” space while also acting as a positive comparison against the shallow, pushy nearly forgettable woman character. Though trailing off into a larger conversation about women within yaoi, Brothers is still worth a read in any case for those searching for a light, unsurprising yaoi.

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